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(exerpt from catalogue)...Frank Gohlke feels that much of this sense of neutrality lies in the way the edges of the picture function and that the work in the show (including his own) maintains an essentially passive frame. That is, rather than the picture having been created by the frame, there is a sense of the frame having been laid on an existing scene without interpreting it very much. |

This catalogue, printed by the George Eastman House in 1975, brought together a group of photographers including Frank Gohlke, Nicholas Nixon, Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, John Schott, Stephen Shore, and Henry Wessel, Jr.
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